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The Hishikawa school attracted a large number of followers, Torii Kiyonobu I and Kaigetsudō Ando became prominent emulators of Moronobu's style following the master's death, though neither was a member of the Hishikawa school.

Both discarded background detail in favour of focus on the human figure—kabuki actors in the yakusha-e of Kiyonobu and the Torii school that followed him, The Miyagawa school he founded in the early-18th century specialized in romantic paintings in a style more refined in line and colour than the Kaigetsudō school.

The earliest success was in the 1670s with Moronobu's paintings and monochromatic prints of beautiful women.

Colour in prints came gradually—at first added by hand for special commissions.

The paintings of the Kanbun era (1661–73), most of which are anonymous, marked the beginnings of ukiyo-e as an independent school.

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