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Unfortunately for Soulé, Columbia owned the building, and Cohn retaliated by raising Le Pavilion’s rent.
The director George Sidney, who made all with Novak at Columbia Pictures, became one of Cohn’s most trusted intimates.
Then they changed her hair, dyeing it three shades of blond at once.
Columbia Pictures’ house designer Jean Louis was brought in to remake her wardrobe.
He kept a framed photograph of his hero, Benito Mussolini, on his massive desk and had his office decorated to look like Il Duce’s.