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When the script is good, he can make good movies ("Primal Fear" and to a lesser degree "Frequency").When the script is bad ("Fallen") or dull ("Hart's War"), he doesn't elevate it.Beautifully shot on Los Angeles locations by Kramer Morgenthau, "Fracture" could have been produced in the early '90s with Tom Cruise and Gene Hackman in the leads or in the late '60s with Paul Newman and, I dunno, Laurence Olivier in the leads and not a word of the script would have needed to change.

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Hopkins stretches only slightly beyond his Hannibal Lectre persona, but it's been a while since he displayed this kind of scenery-chewing villainy, while Gosling adds a twitchy Method-y flair to a character who might have been painfully flat in the hypothetical Tom Cruise version.

As a director, Hoblit's gifts have always been very closely tied to the quality his scripts.

"Fracture"Director: Greg Hoblit Fien Print Rating: Dunno. In the case of "Fracture," director Greg Hoblit weaves a tense puzzle for at least 90 minutes before the script by Daniel Pyne and Glenn Gers lets the entire movie down with an ending the pretty much betrays the tone of the rest of the movie."Fracture" is an endearingly dated movie, a cat-and-mouse thriller with no interest in "CSI"-style technology or actual legal machinations.

In a Nutshell: As my moviegoing companion observed when we left "Fracture," the problem with a movie where everybody raves about the twists and turns is that you sit through the duration attempting to anticipate the wackiest way the movie could reverse itself.

I started blogging on Idol Stalker right around the time the Top 12 was announced that year so, it always brings back fond memories.