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But my primary concern is that viewers – especially non-black ones – don’t leave the theater thinking that the half-century-old true story it depicts is ancient history and outside of the realm of reality in a 2017 in which our president marginalized an entire fucking minority group with his Twitter fingers this week.

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There’s also a white savior component to the film that will rankle some people; sure, very few people believe that all white police officers are evil, but the portrayal of sympathetic white cops will certainly make people feel Some Type of Way™ less than two months after the acquittal of Philando Castile’s killer.

Folks have also made noise about the lack of black women in the cast – even I was surprised when I couldn’t find one in the press materials.

Some believe that protracted police brutality against black men is a bit voyeuristic when viewed through a white lens, and have increased strictures against the filmmakers’ every decision as a result.

Was the black kid getting beat that harshly in real life? When asked about this at the press conference, Bigelow said she had a very “lengthy conversation with myself” before taking on the movie.

And, because he does such an amazing job, you’ll truly despise every hair on the comically arched eyebrows of Will Poulter’s Philip Krauss, the film’s primary antagonist.

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